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Jupigio-Artwork-Gallery
Wickedly Dark Art
Sculptures
These sculptures breathe life into my oil paintings, infusing them with a one-of-a-kind vibrancy. Spanning from iconic figures to tales rooted in both biblical narratives and fiction, each piece tells a captivating story. For detailed insights into every artwork, delve into my downloadable PDF catalogue. Here's a glimpse of what awaits:
All these pieces can be viewed at my living gallery here in Kidwelly. Arrange a visit today.
"The Metamorphic life of Davy Jones"
The Metamorphic Life of Davy Jones is a visually compelling triptych that unfolds the enigmatic journey of David Bowie, from his early years to his legacy. In the first panel, we see a young Bowie, still known as Davy Jones, against the backdrop of Haddon Hall, the Gothic mansion that served as both sanctuary and creative laboratory during his early career. His first band, the Konrads, appears faintly in the background, a nod to the beginnings of his musical evolution.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
"Book of Revelation"
The Book of Revelation is a tapestry of symbolism, deeply woven with theological meaning. Each of the seven churches, symbolised by seven golden candlesticks, receives a unique blessing or warning that reflects their distinct spiritual challenges and strengths. Together, they form a powerful message for all believers.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
"The House of Commandment"
This artwork portrays the story of Moses and the Ten Commandments. An ominous sky swirls above, evoking power and foreboding, while the “House of Commandments” is embedded within the slopes of Mount Sinai. Ten distinct windows are set into the structure, each symbolising one of the commandments.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
"Math fab Mathonwy"
This tale begins on the wooden base and then within the 10 painted panels the story of Math unfolds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
"Carnival of Sin"
The Carnival of Sins is a dazzling, darkly comedic tapestry that reimagines the seven deadly sins as a vivid circus, with each act headlined by a famous figure whose persona or past aligns with their assigned vice. The painting is designed as an intricate jigsaw, each piece revealing a sin as part of a larger, chaotic whole. Every segment holds a lurking Devil, awaiting the perfect moment to deliver eternal punishment to each celebrity sinner in fittingly twisted ways.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
"The Gaga World of Stefani Germanotta"
This 2012 painting of Lady Gaga is a vivid homage to the iconic pop star, capturing the electrifying essence of her music, style, and influence during the height of her career. Centered around her Mother Monster persona, the piece tells a visual story of her meteoric rise, with her towering figure emerging from the legendary Madison Square Garden—an emblem of her fame and transformative impact.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
"A Journey to the Centre of Hell"
The Divine comedy is a sculpture dedicated to Dante's Inferno. It promises to be a captivating and immersive experience, inviting viewers to embark on a journey through the circles of hell. Drawing inspiration from the vivid imagery and profound symbolism of Dante's epic poem, this sculpture offers a modern reimagining of this timeless narrative.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
"The Metamorphic life of Davy Jones"
The Metamorphic Life of Davy Jones is a visually compelling triptych that unfolds the enigmatic journey of David Bowie, from his early years to his legacy. In the first panel, we see a young Bowie, still known as Davy Jones, against the backdrop of Haddon Hall, the Gothic mansion that served as both sanctuary and creative laboratory during his early career. His first band, the Konrads, appears faintly in the background, a nod to the beginnings of his musical evolution.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
"Book of Revelation"
The Book of Revelation is a tapestry of symbolism, deeply woven with theological meaning. Each of the seven churches, symbolised by seven golden candlesticks, receives a unique blessing or warning that reflects their distinct spiritual challenges and strengths. Together, they form a powerful message for all believers.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
"The House of Commandment"
This artwork portrays the story of Moses and the Ten Commandments. An ominous sky swirls above, evoking power and foreboding, while the “House of Commandments” is embedded within the slopes of Mount Sinai. Ten distinct windows are set into the structure, each symbolising one of the commandments.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
"Math fab Mathonwy"
This tale begins on the wooden base and then within the 10 painted panels the story of Math unfolds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
"Carnival of Sin"
The Carnival of Sins is a dazzling, darkly comedic tapestry that reimagines the seven deadly sins as a vivid circus, with each act headlined by a famous figure whose persona or past aligns with their assigned vice. The painting is designed as an intricate jigsaw, each piece revealing a sin as part of a larger, chaotic whole. Every segment holds a lurking Devil, awaiting the perfect moment to deliver eternal punishment to each celebrity sinner in fittingly twisted ways.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
"The Gaga World of Stefani Germanotta"
This 2012 painting of Lady Gaga is a vivid homage to the iconic pop star, capturing the electrifying essence of her music, style, and influence during the height of her career. Centered around her Mother Monster persona, the piece tells a visual story of her meteoric rise, with her towering figure emerging from the legendary Madison Square Garden—an emblem of her fame and transformative impact.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
"A Journey to the Centre of Hell"
The Divine comedy is a sculpture dedicated to Dante's Inferno. It promises to be a captivating and immersive experience, inviting viewers to embark on a journey through the circles of hell. Drawing inspiration from the vivid imagery and profound symbolism of Dante's epic poem, this sculpture offers a modern reimagining of this timeless narrative.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
"The Metamorphic life of Davy Jones"
The Metamorphic Life of Davy Jones is a visually compelling triptych that unfolds the enigmatic journey of David Bowie, from his early years to his legacy. In the first panel, we see a young Bowie, still known as Davy Jones, against the backdrop of Haddon Hall, the Gothic mansion that served as both sanctuary and creative laboratory during his early career. His first band, the Konrads, appears faintly in the background, a nod to the beginnings of his musical evolution.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
"Book of Revelation"
The Book of Revelation is a tapestry of symbolism, deeply woven with theological meaning. Each of the seven churches, symbolised by seven golden candlesticks, receives a unique blessing or warning that reflects their distinct spiritual challenges and strengths. Together, they form a powerful message for all believers.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
"The House of Commandment"
This artwork portrays the story of Moses and the Ten Commandments. An ominous sky swirls above, evoking power and foreboding, while the “House of Commandments” is embedded within the slopes of Mount Sinai. Ten distinct windows are set into the structure, each symbolising one of the commandments.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
"Math fab Mathonwy"
This tale begins on the wooden base and then within the 10 painted panels the story of Math unfolds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
"Carnival of Sin"
The Carnival of Sins is a dazzling, darkly comedic tapestry that reimagines the seven deadly sins as a vivid circus, with each act headlined by a famous figure whose persona or past aligns with their assigned vice. The painting is designed as an intricate jigsaw, each piece revealing a sin as part of a larger, chaotic whole. Every segment holds a lurking Devil, awaiting the perfect moment to deliver eternal punishment to each celebrity sinner in fittingly twisted ways.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
"The Gaga World of Stefani Germanotta"
This 2012 painting of Lady Gaga is a vivid homage to the iconic pop star, capturing the electrifying essence of her music, style, and influence during the height of her career. Centered around her Mother Monster persona, the piece tells a visual story of her meteoric rise, with her towering figure emerging from the legendary Madison Square Garden—an emblem of her fame and transformative impact.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
"A Journey to the Centre of Hell"
The Divine comedy is a sculpture dedicated to Dante's Inferno. It promises to be a captivating and immersive experience, inviting viewers to embark on a journey through the circles of hell. Drawing inspiration from the vivid imagery and profound symbolism of Dante's epic poem, this sculpture offers a modern reimagining of this timeless narrative.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
"The Metamorphic life of Davy Jones"
The Metamorphic Life of Davy Jones is a visually compelling triptych that unfolds the enigmatic journey of David Bowie, from his early years to his legacy. In the first panel, we see a young Bowie, still known as Davy Jones, against the backdrop of Haddon Hall, the Gothic mansion that served as both sanctuary and creative laboratory during his early career. His first band, the Konrads, appears faintly in the background, a nod to the beginnings of his musical evolution.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
"Book of Revelation"
The Book of Revelation is a tapestry of symbolism, deeply woven with theological meaning. Each of the seven churches, symbolised by seven golden candlesticks, receives a unique blessing or warning that reflects their distinct spiritual challenges and strengths. Together, they form a powerful message for all believers.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
"The House of Commandment"
This artwork portrays the story of Moses and the Ten Commandments. An ominous sky swirls above, evoking power and foreboding, while the “House of Commandments” is embedded within the slopes of Mount Sinai. Ten distinct windows are set into the structure, each symbolising one of the commandments.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
"Math fab Mathonwy"
This tale begins on the wooden base and then within the 10 painted panels the story of Math unfolds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
"Carnival of Sin"
The Carnival of Sins is a dazzling, darkly comedic tapestry that reimagines the seven deadly sins as a vivid circus, with each act headlined by a famous figure whose persona or past aligns with their assigned vice. The painting is designed as an intricate jigsaw, each piece revealing a sin as part of a larger, chaotic whole. Every segment holds a lurking Devil, awaiting the perfect moment to deliver eternal punishment to each celebrity sinner in fittingly twisted ways.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
"The Gaga World of Stefani Germanotta"
This 2012 painting of Lady Gaga is a vivid homage to the iconic pop star, capturing the electrifying essence of her music, style, and influence during the height of her career. Centered around her Mother Monster persona, the piece tells a visual story of her meteoric rise, with her towering figure emerging from the legendary Madison Square Garden—an emblem of her fame and transformative impact.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
"A Journey to the Centre of Hell"
The Divine comedy is a sculpture dedicated to Dante's Inferno. It promises to be a captivating and immersive experience, inviting viewers to embark on a journey through the circles of hell. Drawing inspiration from the vivid imagery and profound symbolism of Dante's epic poem, this sculpture offers a modern reimagining of this timeless narrative.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
"The Metamorphic life of Davy Jones"
The Metamorphic Life of Davy Jones is a visually compelling triptych that unfolds the enigmatic journey of David Bowie, from his early years to his legacy. In the first panel, we see a young Bowie, still known as Davy Jones, against the backdrop of Haddon Hall, the Gothic mansion that served as both sanctuary and creative laboratory during his early career. His first band, the Konrads, appears faintly in the background, a nod to the beginnings of his musical evolution.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
The middle panel bursts with colour and dynamism, capturing the iconic personas that Bowie inhabited over the decades—Ziggy Stardust, Aladdin Sane, the Thin White Duke, each character shifting seamlessly into the next. This panel vibrates with the energy of transformation, evoking his boundary-pushing artistry and the shape-shifting identity he embraced throughout his career.
The final panel takes on a more introspective tone, depicting Bowie in his later years surrounded by the people, passions, and experiences he cherished most. It’s a warm and poignant tribute to a life well-lived, touching on his love for family, his fascination with art and spirituality, and the quieter yet powerful essence of the man behind the persona. Together, these three panels tell the metamorphic story of Bowie’s life, an ever-evolving journey of reinvention, artistry, and personal discovery.
"Book of Revelation"
The Book of Revelation is a tapestry of symbolism, deeply woven with theological meaning. Each of the seven churches, symbolised by seven golden candlesticks, receives a unique blessing or warning that reflects their distinct spiritual challenges and strengths. Together, they form a powerful message for all believers.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
At the centre of John’s vision stands the majestic figure of the Son of Man, adorned with symbolic attributes that reveal His divinity and authority. This figure represents Jesus Christ, who stands as both judge and redeemer, overseeing the fate of each church.
John’s vision then transports him to the heavenly throne room—a scene of overwhelming majesty and divine power. Vivid imagery fills the space: the rainbow encircling the throne, flashes of thunder and lightning, all creating an atmosphere of awe and reverence. At the throne’s center sits the slain Lamb of God, Jesus, holding the sealed book—a profound image of sacrificial love and ultimate authority over creation’s destiny.
Before the throne lies a sea of glass, clear as crystal, symbolising purity and peace in God’s presence. Seven burning lamps, representing the seven Spirits of God, signify the completeness and omnipresence of the Holy Spirit, illuminating Heaven and bearing witness to divine truth.
The 24 elders, clothed in white robes and crowned, represent the redeemed people of God. They are believed to symbolise the twelve tribes of Israel and the twelve apostles, uniting the old and new covenants. Each elder holds a golden harp and vials filled with fragrant incense—symbols of worship and intercession for humanity, underscoring their priestly role in Heaven.
Four living creatures surround the throne, each with a unique form—a lion, an ox, a face like a human, and an eagle. With six wings and eyes all around, these creatures symbolise aspects of God’s creation and perhaps divine attributes: courage, strength, wisdom, and swiftness. Their continuous praise highlights the ceaseless worship in God’s presence.
As the Lamb begins to open the seven seals on the book, each seal reveals a profound vision:
The first seal reveals a white horse, symbolising conquest and perhaps spiritual victory.
The second seal unveils a red horse, representing war and bloodshed.
The third seal brings forth a black horse, symbolising famine and economic hardship.
The fourth seal introduces a pale horse, often interpreted as death itself, highlighting the fragility of human life.
The fifth seal unveils a heart-wrenching scene of the souls of martyrs, gathered under Heaven’s altar, seeking justice and comfort from God.
The sixth seal opens to a dramatic cosmic upheaval: the sun darkens, the moon turns blood-red, and stars fall to Earth. This imagery symbolizes global turmoil and cataclysmic change.
When the seventh seal is opened, it signals the beginning of even greater tribulation. The sounding of the seven trumpets marks escalating judgements on Earth, each trumpet blast unleashing a new wave of destruction and chaos, drawing the world closer to its reckoning.
With these events, the cosmic war between good and evil intensifies. The rise of three beasts and the fall of Babylon reveal a climactic struggle as the forces of darkness face their ultimate defeat. Yet, the story reaches its redemptive conclusion with the establishment of God’s eternal kingdom. The twelve pearly gates of Heaven open to the faithful, and at the heart of this new creation stands the Tree of Life—a symbol of eternal healing, unity, and peace.
Revelation’s visions offer both warning and hope, underscoring the justice, holiness, and mercy of God. Through its rich symbolism, it calls readers to faithfulness and inspires awe at the divine plan, where, in the end, righteousness prevails and Heaven welcomes all who have endured faithfully.
"The House of Commandment"
This artwork portrays the story of Moses and the Ten Commandments. An ominous sky swirls above, evoking power and foreboding, while the “House of Commandments” is embedded within the slopes of Mount Sinai. Ten distinct windows are set into the structure, each symbolising one of the commandments.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
“You shall have no other gods before Me.” Here, misguided followers worship a new idolised religion, representing how easily cults can emerge. This commandment exists to prevent people from blindly following those who seek control and power.
“You shall not make idols.” This image emphasises the dangers of idol worship. When people elevate mortals to divine status, they risk profound disappointment and disillusionment.
“You shall not take the name of the LORD your God in vain.” A bomb bearing God’s name sits ominously with innocent children playing nearby. The scene critiques those who use religion to justify acts of violence or personal agendas.
“Remember the Sabbath day, to keep it holy.” The wealthy exploit the labouring poor, who work relentlessly without rest. This commandment reminds us of the necessity of rest and the right of all people to a day of renewal, a concept often ignored in today’s society.
“Honour your father and your mother.” In many cultures, this respect remains essential, yet in some societies, it has faded. The image of a son visiting his parents in a desolate care home cell highlights the loneliness and neglect many elderly people face today.
“You shall not murder.” A girl scout knocking innocently on a door symbolises how anyone could become an unintended victim, stressing the gravity of this commandment.
“You shall not commit adultery.” A couple stands before a shattered backdrop, symbolizing the damage adultery causes, particularly to those who suffer its effects indirectly.
“You shall not steal.” Here, the commandment returns to its original meaning: do not steal people. The dark undercurrent of human trafficking still plagues our world, a tragic reminder of humanity’s potential for cruelty.
“You shall not bear false witness against your neighbour.” A news editor publishes a damning story only to retract it when the truth is revealed, illustrating the destructive consequences of spreading falsehoods.
“You shall not covet.” The pope stands as the poor kiss his ring, a subtle critique of wealth and privilege within the church and society at large.
At the base of the “House of Commandments,” the Twelve Tribes of Israel are depicted, with the blood of their ancestors flowing into streams of gold that rise within the structure. It suggests how people’s disregard for these moral guidelines has shaped society. At the entrance, “Moses” sits upon the ark, accompanied by the burning bush.
Though ancient, these commandments offer a foundational ethical framework. Regardless of religious beliefs, their timeless guidance remains relevant in building a just and compassionate civilisation.
"Math fab Mathonwy"
This tale begins on the wooden base and then within the 10 painted panels the story of Math unfolds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
The story begins with Math, a king who must remain with his feet in the lap of a virgin unless he is at war. Math’s virgin foot-holder, Goewin, is seduced by Gwydion and Gilfaethwy, Math’s nephews. They conspire to get Math away from the court by stirring up a conflict with the neighbouring kingdom. When Math leaves to engage in battle, Gilfaethwy assaults Goewin, violating Math’s trust and disrupting his requirements.
Upon discovering the betrayal, Math punishes his nephews by transforming them into pairs of animals—first deer, then pigs, and finally wolves—forcing them to live as these animals and bear offspring together over three years. This punishment is part of Math’s way of teaching them empathy and humility through the experience of different forms and roles.
To replace Goewin, Math chooses Aranrhod, Gwydion’s sister, as his new virgin foot-holder. However, when Math magically tests her virginity, she unexpectedly gives birth to two sons. She disowns one child immediately, who becomes known as Dylan and later becomes associated with the sea. The other son, named Lleu Llaw Gyffes by Gwydion, becomes the focus of the tale.
Aranrhod, shamed by the circumstances, refuses to acknowledge Lleu and places three curses on him: he shall have no name, no weapons, and no human wife. However, Gwydion uses his magic to counter each curse. He tricks Aranrhod into naming her son Lleu, helps him acquire weapons, and finally, with Math’s help, creates a wife for Lleu from flowers. This woman, named Blodeuwedd, is beautiful but later betrays Lleu.
Blodeuwedd falls in love with a man named Gronw Pebr and conspires with him to kill Lleu. Lleu, however, is under a spell that makes him nearly invulnerable. After following Blodeuwedd’s manipulation, Gronw strikes Lleu in his vulnerable form, but Lleu escapes by transforming into an eagle. Gwydion eventually finds him and restores him to human form.
In the end, Lleu exacts revenge on Gronw, killing him with a spear. Blodeuwedd is transformed by Gwydion into an owl, cursed to live as a creature of the night, forever shunned by other birds.
"Carnival of Sin"
The Carnival of Sins is a dazzling, darkly comedic tapestry that reimagines the seven deadly sins as a vivid circus, with each act headlined by a famous figure whose persona or past aligns with their assigned vice. The painting is designed as an intricate jigsaw, each piece revealing a sin as part of a larger, chaotic whole. Every segment holds a lurking Devil, awaiting the perfect moment to deliver eternal punishment to each celebrity sinner in fittingly twisted ways.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
At the centre, Emelda Marcos reigns as the extravagant ringmaster, twirling on a merry-go-round that’s exclusively reserved for her prized shoes. Her greed is palpable, and the sad young children sit beneath her as she swings around the carousel indifferent to their desires, for it is only her appetite that matters. The Devil watches eagerly from inside the booth, poised and ready to plunge her into his boiling cauldron of oil.
In the mystic tent of Lust, Angelina Jolie takes on the role of a sultry fortune teller, her past indiscretions plastered like old posters on the walls behind her. Her booth invites you into temptation. She feels the searing heat of the Devil’s flames licking at her feet, foretelling her fiery fate.
Nearby, Paris Hilton drifts in a lazy pose as the Fiji Mermaid, embodying Sloth. She slobs idly with her pet, indifferent to the world around her, a symbol of effortless privilege. The Devil stands by, prepared to toss her into a pit of writhing snakes, a deadly trap for those who never bothered to break a sweat.
On stilts, Tom Cruise balances as the proud juggler, spinning miniature planets as he preens, with his elaborate attire his ego know no bounds. As he dances he is unaware that the Devil is poised to snap his stilts, sending him crashing to a broken, twisted end beneath Hell’s torturous wheel.
Suspended high above, Madonna and Lady Gaga swing as the envy-ridden trapeze artists, glancing at each other with fierce jealousy, each trying to outdo the other in style and grace. They’re so consumed by envy that they fail to notice the Devil’s icy grip reaching for them, a chilling fate that promises to freeze their rivalry forever.
On the ground, Naomi Campbell takes on Wrath as the lion tamer, cracking her whip (or, rather, a telephone) with fury at her petrified beast. The Devil, machete in hand, awaits her arrival in Hell, where her wrath will be met with brutal retribution.
Finally, Elvis, as the gluttonous clown and entertainer, hovers before a twisted fun-house mirror, his reflection warped to reveal a grotesque feast awaiting him in Hell. A future of endless consumption, forced to dine eternally on toads, rats, and snakes, lies ahead for his sin of indulgence.
The painting is a carnival of temptation and consequence, a twisted celebration of excess and downfall where innocence and decadence collide. Each vibrant puzzle piece pulsates with both beauty and dread, making this Carnival of Sins a rich spectacle of humanity’s vices, with the Devil lurking at every turn, poised to collect his due.
"The Gaga World of Stefani Germanotta"
This 2012 painting of Lady Gaga is a vivid homage to the iconic pop star, capturing the electrifying essence of her music, style, and influence during the height of her career. Centered around her Mother Monster persona, the piece tells a visual story of her meteoric rise, with her towering figure emerging from the legendary Madison Square Garden—an emblem of her fame and transformative impact.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
Lady Gaga stands larger than life, her dramatic gothic style and theatrical flair woven into the landscape around her. The bold, dark architecture and intense energy of New York City create a powerful, dynamic backdrop that amplifies her image. The skyline adds a gritty elegance and intensity, reflecting the raw, relentless passion of Gaga’s artistry. It’s a tribute that fuses glamour with grit, embodying the spirit of an artist who fearlessly reshaped pop culture.
"A Journey to the Centre of Hell"
The Divine comedy is a sculpture dedicated to Dante's Inferno. It promises to be a captivating and immersive experience, inviting viewers to embark on a journey through the circles of hell. Drawing inspiration from the vivid imagery and profound symbolism of Dante's epic poem, this sculpture offers a modern reimagining of this timeless narrative.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
Through meticulous craftsmanship and attention to detail, I have brought to life the haunting landscapes and tormented souls that populate Dante's vision of hell. The use of layered steel and oil painting adds depth and texture to the artwork, enhancing its visual impact and evoking a sense of foreboding and dread.
The central piece serves as the focal point of the sculpture, drawing viewers into the heart of Dante's infernal realm. Surrounding it are seven smaller sculptures, each representing a different circle of hell and reflecting the escalating intensity of the narrative. From the fiery depths of the inferno to the frozen wastelands of treachery, this interpretation captures the full spectrum of human suffering and moral decay.
As viewers navigate through the various scenes depicted in the sculpture, they are confronted with the consequences of sin and the eternal punishment that awaits the damned. This work serves as a powerful reminder of the consequences of our actions and the importance of moral virtue in guiding our lives.
With its immersive design and rich symbolism, this sculpture offers a thought-provoking exploration of Dante's Inferno, inviting viewers to contemplate the nature of sin, redemption, and the human condition. Through my art, I invite you to confront your own demons and strive for a deeper understanding of ourselves and the world around us.
Read more about this sculpture in my art blog.
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